The nadir is the point opposite the zenith - a position we never occupy.
Here, it belongs to the viewer.
A body on glass becomes both surface and subject - exposed, elevated, out of reach. but still remaining on the floor. The gaze is displaced: looking from below, confronted with an intimacy that feels almost intrusive.
A body on glass becomes both surface and subject - exposed, elevated, out of reach. but still remaining on the floor. The gaze is displaced: looking from below, confronted with an intimacy that feels almost intrusive.
NADIR shifts the limits of looking.
